I am a fourth generation photographer. My great grandfather opened a photography studio in the early twentieth century. My grandfather learned about photography in my great grandfather’s studio. He was a fine portrait photographer and painter. His award-winning photographs traveled in national salon exhibitions throughout the U.S, Canada, and Europe. My father grew up learning about photography and art from his father and later pursued a career in the graphics arts. He became a nationally recognized leader and pioneer in the graphic arts industry. 

In the master apprentice tradition, I learned about the principles of photography from both my grandfather and father. By applying these principles and using today’s digital technology, I capture the dynamic range of light and color present in the landscapes of Iowa and Kansas.

My landscape photography has been exhibited at the National Center for Nature Photography, America’s first and only center devoted exclusively to nature photography. My exhibition prints of natural and rural landscapes are displayed in corporate and institutional settings as well as in private homes.

"And what, sir, is the subject matter of that painting?" - "The subject matter, my dear good fellow, is the light.“ Claude Monet

Landscape photographers recognize the significance of Claude Monet's insight, as the renowned French painter and founder of Impressionism. Light fundamentally shapes landscape imagery. It influences shadow, texture, and luminosity making scenes visually compelling and engaging. Just as Monet sought to capture fleeting effects of light in his paintings, landscape photographers strive to harness these same qualities through their lenses.

I look for specific lighting conditions that evoke a mood. For instance, the golden hour bathes landscapes in warm tones and long soft shadows, emphasizing the depth in a scene. During this time, sunlight is diffused through the atmosphere, creating a gentle glow that enhances colors and textures. In contrast, midday sun creates deep short shadows, making the scene appear less three-dimensional. While overcast days provide soft, even lighting that minimizes shadows and brings out subtle details, offering a different mood.